{"id":2994,"date":"2024-01-23T17:17:53","date_gmt":"2024-01-23T17:17:53","guid":{"rendered":"https:\/\/www.guitar-chords.org.uk\/blog\/?p=2994"},"modified":"2024-01-28T00:50:50","modified_gmt":"2024-01-28T00:50:50","slug":"guitar-soloing-the-problem-with-scales-and-how-to-use-them","status":"publish","type":"post","link":"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-and-how-to-use-them\/","title":{"rendered":"Guitar Soloing &#8211; The Problem With Scales and How to Use Them"},"content":{"rendered":"<div class=\"gb-container gb-container-f311c70d\">\n\n<span class=\"gb-button gb-button-c56bc61b gb-button-text\">Part 1<\/span>\n\n\n\n<a class=\"gb-button gb-button-56bd465c gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-2-chord-tones\/\">Part 2 <\/a>\n\n\n\n<a class=\"gb-button gb-button-41dca0ed gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-3-minor-blues\/\">Part 3<\/a>\n\n\n\n<a class=\"gb-button gb-button-5308cc68 gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-4-major-blues\/\">Part 4<\/a>\n\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">My guitar solos suck! What scales should I use?<\/h2>\n\n\n\n<p>It\u2019s a question we hear often among amateur and even some advanced intermediate guitarists. The title sentence reads like a statement followed by a question &#8211; in actual fact it\u2019s more like a question followed by the answer. Let\u2019s rewrite it:<\/p>\n\n\n\n<p>Q: Why do my guitar solos suck?<br>A: Because I don\u2019t know how to use scales.<\/p>\n\n\n\n<p>In other words, you think your solos suck and you\u2019re hoping that using a different scale will improve things &#8230; and that is where everything has already gone very wrong for you. Not your fault, with the majority of books and lessons about guitar soloing, it\u2019s pretty much all they talk about &#8211; scales and scale patterns.<\/p>\n\n\n\n<p>Bear with me here, the chances are that you\u2019ve been so buried deep in confusion about scales that all of this will take a while to sink in, so we\u2019re going to take things slowly.<\/p>\n\n\n\n<p>Let\u2019s start with a simple chord progression, a I-IV-V in C major. In other words just 12 bars using C, F and G.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"273\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major-1024x273.png\" alt=\"1-4-5 C major chord progression\" class=\"wp-image-3013\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major-1024x273.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major-300x80.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major-768x205.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major-1536x410.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/1-4-5-c-major.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>We can solo over this using the C major scale. Generally when playing around with scales as a beginner or early intermediate guitarist, we might try something that sounds like this.<\/p>\n\n\n\n<p><strong>Example 1:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-1-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Let\u2019s face it, it&#8217;s crap. It sounds like someone just playing around with a scale and trying to make it sound melodic but failing miserably. That\u2019s OK, we have to start somewhere and in the beginning it\u2019s how we all sound. I\u2019m not going to waste time tabbing that out, it\u2019s just an example of scale noodling and I\u2019m using this scale pattern starting on the 8th fret.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"316\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-8th-fret-1024x316.png\" alt=\"C major scale\" class=\"wp-image-3016\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-8th-fret-1024x316.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-8th-fret-300x93.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-8th-fret-768x237.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-8th-fret.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Now, before we try to fix this, let\u2019s listen to another example. I\u2019ll copy and paste this exact solo over a different chord progression. Still in C major but we\u2019ll use more chords in the backing.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"197\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords-1024x197.png\" alt=\"C major chord progression with more chords\" class=\"wp-image-3018\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords-1024x197.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords-300x58.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords-768x148.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords-1536x296.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-more-chords.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Example 2:&nbsp;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-2-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Notice this time it sounds slightly better? It still sounds quite amateur and it still sounds like I\u2019m just \u201cscale noodling\u201d, which I am. It is however, slightly better sounding. Why? Simple answer, we have fewer bad sounding notes clashing with the underlying chords. Because there are more chord changes, an ever changing flow of scale notes fits slightly better. There are other reasons which we will get to, but for now, let\u2019s try something else.<\/p>\n\n\n\n<p>We can all agree there\u2019s too much going on in both examples. The solo is just stepping almost randomly through scale notes, I\u2019m trying too hard to fit too many notes in and make use of the full scale pattern with no articulation or expression etc. OK then, let\u2019s try something that sounds a bit closer to reasonable.<\/p>\n\n\n\n<p>I\u2019ll TAB this next one out. I&#8217;m also using a different scale position, mostly around this scale pattern.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"316\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-5th-fret-1024x316.png\" alt=\"C major scale position 5\" class=\"wp-image-3020\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-5th-fret-1024x316.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-5th-fret-300x93.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-5th-fret-768x237.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-5th-fret.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"402\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab-1024x402.png\" alt=\"Guitar tab for example 3 playing over chords\" class=\"wp-image-3021\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab-1024x402.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab-300x118.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab-768x301.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab-1536x602.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>Example 3:&nbsp;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-3-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Not bad, doesn\u2019t sound too terrible, right? This is one reason why we should practise licks and phrasing. It gives us ideas to work with, and gets us in the habit of using better phrasing.<\/p>\n\n\n\n<p>OK, so what if we learn a bunch of C major licks or riffs that we know already sound good and use those to improve our solos? Let\u2019s try that exact thing over the first backing track that has fewer chord changes.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"402\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab-1024x402.png\" alt=\"Guitar tab example 4 playing over chords\" class=\"wp-image-3023\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab-1024x402.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab-300x118.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab-768x301.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab-1536x602.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>Example 4:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-4-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Hang on, that sounds like crap! WTF as the kidz say.<\/p>\n\n\n\n<p>And so here starteth the lesson, tuck in, we have a lot to talk about. First let me just highlight a few important points.<\/p>\n\n\n\n<p>1. If all you are thinking about is scale patterns, then your solos will always sound like scales.<br>2. If you try to cram too many notes in, you will likely sound amateur and robotic and still sound like you are scale noodling.<br>3. Just because a scale is in the same key as the chords, it doesn\u2019t mean all scale notes will work all of the time.<br>4. If you slow down and add more space between notes you will sound more like music.<br>5. If you slow down and add more space, each note will stand out differently against the underlying chord &#8211; including the bad notes!<br>6. Music isn\u2019t just about note choices. It\u2019s also rhythm, dynamics and expression.<br>7. There is no easy formula for fixing any of the above problems. It just takes lots of practice, experimenting and experience.<\/p>\n\n\n\n<p>The bottom line is this. A scale is not a group of notes that we can simply choose to play randomly with no regards to the underlying chords &#8211; whether they all belong to the same key or not.<\/p>\n\n\n\n<p>Let\u2019s start with the first point. We need to change our way of thinking before we can change the way we use a scale. There\u2019s a big difference between playing a scale and actually using scale notes. A scale is nothing more than a selection of notes, not there to be played arbitrarily, but there to be made use of. There is a difference. If you focus mainly on the pattern then you will have a hard time NOT sounding like a scale pattern. Think of a scale pattern as a kind of container that just helps you find scale notes more easily. We don\u2019t want to play the pattern, we want to &#8220;use\u201d the notes that are contained within it.<\/p>\n\n\n\n<p>One of the reasons we often sound better when using pentatonic scales is not because the scale is better suited, although it can be in some styles of music, but this is generally not the case. When using pentatonic scales we have fewer note choices. This not only gives us less chance of clashing notes, it also helps us naturally avoid trying to cram too many notes into a smaller space of time.<\/p>\n\n\n\n<p>With that in mind, let\u2019s trying something with an even smaller scale &#8230; just ONE note! Don\u2019t think I\u2019m joking, there is a very important lesson here. Do yourself a favour and try it. Do this for at least a few minutes. It will drive you mad to a point of epiphany. If it doesn\u2019t, then do it again.<\/p>\n\n\n\n<p>Listen to me doing the same. I will start out picking the note as often as I picked notes in the first noodling example (Example 1) &#8230; and no, I\u2019m not tabbing it out!<\/p>\n\n\n\n<p><strong>Example 5:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-5-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>If you do something like this, it should only take a few seconds before you naturally slow things down and actually try to phrase your picking to better fit the rhythm, maybe you\u2019ll end up doing something like this.<\/p>\n\n\n\n<p><strong>Example 6:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-6-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>The limitation of a single note will also drive you mad, so let\u2019s add another and see what we can do with two notes. Here I\u2019m playing just C and D at the fifth and seventh fret on the G string.<\/p>\n\n\n\n<p><strong>Example 7:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-7-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>You may not realise it but your playing has already improved and the way you approach scale playing has already moved up a notch. You\u2019ve probably done something you\u2019ve never done before &#8211; actually listen and pay attention to the notes you are playing, not just the harmony of how it reacts with the underlying chord but also the timing, the duration, how you might be striking the note too often and many other things.<\/p>\n\n\n\n<p>This all sounds a bit obvious and boring but believe me it is everything. This is how we need to practise and observe what we are playing. We\u2019re not done yet, we are training our ears in the process but we still have a long way to go. Let\u2019s move along to the next two scale notes and try the same thing again. We\u2019re working on just one string at the moment. We started with the C and D at the fifth and seventh fret &#8211; now we\u2019re going to do the same thing again but move along and use the D and E on the 7th and 9th frets. Here\u2019s the C major scale on the third string for reference.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"316\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-3rd-string-1024x316.png\" alt=\"C major scale on one string\" class=\"wp-image-3028\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-3rd-string-1024x316.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-3rd-string-300x93.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-3rd-string-768x237.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-scale-3rd-string.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Example 8:&nbsp;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-8-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Exercises like these are forcing you to listen carefully and help train your ears to predict when a note isn\u2019t going to work. Notice on some of the notes I hung onto for a bit longer than in the last example. This is because by restricting myself to just two notes I am really paying attention and memorising the sound. Where I hang on to the notes a little longer it\u2019s because I could feel that it was a better choice than the alternative, I could predict how it would sound and knew it wouldn\u2019t work. Don\u2019t worry, we\u2019re not trying to train ourselves for perfect aural skills here, we\u2019re just getting used to listening and paying attention. If we spend all our time flying past a whole bunch of notes in a scale then we\u2019re never really getting the chance to feel how the notes are sounding against the chords.<\/p>\n\n\n\n<p>Let\u2019s move along to the next two notes E and F on the 9th and 10th frets.<\/p>\n\n\n\n<p><strong>Example 9:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-9-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>This is pretty much the same as before, I\u2019m slowly getting used to hearing each note against the underlying chord and think about the note choices before moving to them.<\/p>\n\n\n\n<p>We can (and should) go on right through the scale doing this exercise with two notes. Trust me, you will be improving with every few minutes of doing this. For the purpose of speeding things up, however, I am going to go back to the C at the third fret, but this time use three notes C, D and E.<\/p>\n\n\n\n<p>You should be able to figure this one out but I\u2019ll Tab it out anyway.<\/p>\n\n\n\n<p><strong>Example 10:&nbsp;<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab-1024x576.png\" alt=\"Guitar tab soloing on one string\" class=\"wp-image-3031\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab-1024x576.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab-300x169.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab-768x432.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab-1536x864.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-10-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>With this extra note I am able to find a reasonably good note choice for each chord. Even if you are a beginner, you should be able to come up with something like this in a short amount of time. It\u2019s these restrictions that force us to listen more carefully and try to be more melodic. Sure, it\u2019s not a solo to get excited about but it is a solo that works and it doesn\u2019t sound like random notes.<\/p>\n\n\n\n<p>Again, I\u2019m going to move along and skip the rest of the exercise for the sake of this lesson, but you shouldn\u2019t, you should spend time doing all of these kinds of exercises. Continue along the scale as before but this time using groups of three notes. You will see nothing but benefits in a fairly short time.<\/p>\n\n\n\n<p><strong>Example 11:<\/strong><\/p>\n\n\n\n<p>In the next exercise we are going to add a fourth note to the previous example, an A on the fourth string. These are the notes on the fretboard for reference.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"290\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/4-notes-fretboard-1024x290.png\" alt=\"Fretboard\" class=\"wp-image-3033\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/4-notes-fretboard-1024x290.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/4-notes-fretboard-300x85.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/4-notes-fretboard-768x218.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/4-notes-fretboard.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Before we start. Let\u2019s just play each note individually over the C chord and listen, something like this. The TAB is just for reference, it isn\u2019t exactly what I\u2019m playing in the audio but close enough for demonstration.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"190\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab-1024x190.png\" alt=\"Guitar tab playing the chord root notes\" class=\"wp-image-3034\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab-1024x190.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab-300x56.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab-768x142.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab-1536x284.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-11-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>We can hear that the D and A notes don\u2019t sound good over the C chord. This doesn\u2019t mean they aren\u2019t usable, it just means we need to be careful with them. As a general rule, don\u2019t hang on to them for too long a duration, don\u2019t start the solo with them unless used as a lead in note, and maybe avoid them on the chord changes that they clash on, in this case, the C chord.<\/p>\n\n\n\n<p>These notes are dissonant to the chord and create tension. This isn\u2019t always a bad thing, it just means that when you play dissonant notes, they tend to want to go somewhere, so they work well as passing or \u201cin between\u201d notes.<\/p>\n\n\n\n<p>In the following two examples I use the notes in short duration to lead into the good notes or as passing notes between and they don\u2019t sound bad. Don\u2019t look for formulas and methods for when we can or can\u2019t use these clashing notes &#8211; there aren\u2019t any. Just do what the rest of us do, play around with them, use them and learn from experience. No musician I know plans every single note ahead, at least certainly not when improvising. We will mess up but with enough practice we\u2019ll just get better at covering things up and possibly make them sound intentional, even when they aren\u2019t. Lots of practice and experimenting is the only way, it becomes a kind of muscle memory thing.<\/p>\n\n\n\n<p><strong>Example 12:<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"190\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab-1024x190.png\" alt=\"guitar tab example 12\" class=\"wp-image-3036\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab-1024x190.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab-300x56.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab-768x142.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab-1536x284.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-12-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Example 13:<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"190\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab-1024x190.png\" alt=\"guitar tab example 13\" class=\"wp-image-3038\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab-1024x190.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab-300x56.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab-768x142.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab-1536x284.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-13-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Let\u2019s quickly recap<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Filling up space by cramming too many scale notes (unless done in small doses) will always make your solos sound like one long scale pattern.<\/li><li>Slowing things down and hanging onto some notes for a longer duration will generally sound better and more professional.<\/li><li>Just because a scale is the correct key, it doesn\u2019t mean all scale notes work all of the time. Some notes create dissonance and clash with the underlying chord of the moment.<\/li><li>The dissonant notes aren\u2019t dissonant to the key, they are only dissonant to the surrounding harmony, e.g, the underlying chords.<\/li><li>Notes that clash with one chord won\u2019t necessarily clash with another and vice-versa. Good and bad note choices change with each chord, regardless of whether the chords still belong to the same key or not.<\/li><li>Clashing notes mostly only sound bad when made to stand out. This happens when a clashing note is held for too long a duration.<\/li><li>These same notes can actually sound good and enhance the chord notes when used as passing tones. Tension is often a good thing when it is resolved to a good note.<\/li><li>No formulas or theory will teach you how to play this way and help you make good note choices easily. Regular practice and experience of listening, experimenting and doing exercises similar to all of the above is the way to gain this experience.<\/li><\/ul>\n\n\n\n<p><strong>Moving on<\/strong><\/p>\n\n\n\n<p>In this lesson series we\u2019re mostly just looking at scales and making note choices. Obviously there is a lot more to creating good sounding solos, for example, using expressions such as slides, hammer ons and pull offs, trills, vibrato, note bending, rhythms, dynamics &#8230; and so on. These are all things we should practise but they come more under the category of technique rather than \u201cscale theory\u201d.<\/p>\n\n\n\n<p>I\u2019ve mentioned a few times about hanging on to notes for longer durations. As beginners we tend to not do that so much as we should, probably because a plain sustained note can sound pretty boring. Most solos require movement in order to create a sense of melody. Playing a single note for twelve bars could be the aural equivalent of watching paint dry. That doesn\u2019t mean it can\u2019t sound great. Take a twelve bar blues or a lively rock song, for instance, add some overdrive with vibrato and string bending &#8211; alone can make a very long duration note sound great, possibly a whole twelve bars and sound exciting.<\/p>\n\n\n\n<p>This might not work so well in a softer, more melodic pop song and some styles it wouldn\u2019t work at all. These are all important things to think about &#8211; a scale isn\u2019t just a scale without context. The more we realise these things, the more we can understand the difference between a scale pattern and making use of scale notes.<\/p>\n\n\n\n<p>There is so much confusion around scales &#8211; the perfect example being modes. I\u2019m not going to talk about them in this lesson, simply because until you really get to grips with everything we\u2019re talking about here, you will never understand things like modes. I will do a lesson on modes at a later time.<\/p>\n\n\n\n<p>Ok, back to the examples, here we\u2019ll use the three notes, C, D and E again on third string but instead of using the E on the ninth fret, we bend up to it from the 7th, so our fingers don\u2019t leave frets 5 and 7.<\/p>\n\n\n\n<p><strong>Example 14:<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1002\" height=\"1024\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab-1002x1024.png\" alt=\"Guitar tab solo for C major using one string\" class=\"wp-image-3041\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab-1002x1024.png 1002w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab-294x300.png 294w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab-768x785.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab-1503x1536.png 1503w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-tab.png 1594w\" sizes=\"auto, (max-width: 1002px) 100vw, 1002px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-14-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Example 15:<\/strong><\/p>\n\n\n\n<p>Now let\u2019s try the same idea but we\u2019ll include the A note again on the D string.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"606\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab-1024x606.png\" alt=\"guitar tab solo in c major using two strings\" class=\"wp-image-3043\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab-1024x606.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab-300x178.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab-768x455.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab-1536x910.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-15-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Example 16:<\/strong><\/p>\n\n\n\n<p>Let\u2019s try a similar thing but on a different string. We\u2019ll use B string frets 5, 8 and 10, slides and bends.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-1024x1024.png\" alt=\"guitar tab solo in c major using b string\" class=\"wp-image-3045\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-1024x1024.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-300x300.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-150x150.png 150w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-768x768.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab-1536x1536.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-16-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Listen to the example above. It starts out kind of Ok. In the second half I demonstrate how I might practise by listening to different notes over the chord. As you can hear, over the F chord, in bars 17 and 22, it doesn\u2019t sound too good. The note I\u2019m playing is an E, which is only a semitone from the F of the chord, so it\u2019s creating a bit of a clash, our ears are probably expecting to hear this note resolve to an F. So let\u2019s spend a moment to think about some chord tones that we can target when the chords change.<\/p>\n\n\n\n<p>I\u2019m not going to waste time on theory or CAGED chords here, there\u2019s plenty about them elsewhere on the website so I\u2019ll jump straight ahead and we\u2019ll look at three chord shapes for C, F and G.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"360\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-a-form.png\" alt=\"C major chord A form\" class=\"wp-image-3056\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-a-form.png 625w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/c-major-a-form-300x173.png 300w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"307\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/f-g-form-d-1024x307.png\" alt=\"F and G chords, D form\" class=\"wp-image-3048\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/f-g-form-d-1024x307.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/f-g-form-d-300x90.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/f-g-form-d-768x230.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/f-g-form-d.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Let\u2019s focus on the B string. In the D form chords we have the F on the 6th fret and G on the 8th fret. In the following example we\u2019ll try to target those two notes over the chord changes.<\/p>\n\n\n\n<p><strong>Example 17:<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab-768x1024.png\" alt=\"guitar tab solo targeting chord tones\" class=\"wp-image-3049\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab-768x1024.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab-225x300.png 225w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab-1152x1536.png 1152w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab-1536x2048.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-tab.png 1594w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-17-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Over the C chord I\u2019m doing a fair bit of bending from the 8th to 10th fret which is the note equivalent of G to A. G is in the C chord but A isn\u2019t so it\u2019s not targeting chord a chord tone. I do however already know that it sounds OK because we tried it in the previous example. I do also resolve quite a bit to the E on the 5th fret, which is a chord tone of C (the major third). Over the F and G chords I\u2019m mostly targeting the root notes on the 6th and 8th fret.<\/p>\n\n\n\n<p>One more thing to notice I\u2019m often anticipating the chord change by targeting the chord tone slightly earlier than the first beat. You\u2019ll also notice my timing is rough in bars 20 \/ 21. When we\u2019re playing around with ideas on the fly, these things can happen if we just hit record and start playing. Rather than do another take I\u2019ve left it in because it\u2019s a good representation of how we have to mess around to find what works &#8211; don\u2019t be afraid to go wrong.<\/p>\n\n\n\n<p>Keep doing this stuff over and over, experiment and listen to what you are doing &#8211; you have to get used to it to get it etched into muscle memory and your ears. Spend some time doing this and then maybe add the third string back in and mix them up. Things should start slowly sounding more like a solo. It\u2019s slow and maybe not too exciting but that\u2019s not the point. This is all about making note choices that we are practising and getting used to.<\/p>\n\n\n\n<p>In example 18 below I combine the two and use both strings. It\u2019s still quite simple sounding but it works and it does sound like a solo. We can spice things up more with some better phrasing, more interesting bends, add some clich\u00e9 licks etc, but for now, continue experimenting with all of the examples we have done so far &#8211; at the moment this is all about scales and note choices. Your playing style will come from this kind of practice and your fretboard knowledge and your aural skills will improve rapidly. Don\u2019t underestimate the simplicity of these kind of exercises.<\/p>\n\n\n\n<p><strong>Example 18:<\/strong><\/p>\n\n\n\n<p>One more example with the G string added back in.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"713\" src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab-1024x713.png\" alt=\"guitar tab solo in c major using two strings\" class=\"wp-image-3051\" srcset=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab-1024x713.png 1024w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab-300x209.png 300w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab-768x535.png 768w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab-1536x1070.png 1536w, https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-tab.png 1594w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.guitar-chords.org.uk\/blog\/wp-content\/uploads\/example-18-scales.mp3\"><\/audio><\/figure>\n\n\n\n<p>Next in <a href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-2-chord-tones\/\">Guitar Soloing Part 2<\/a> we\u2019ll look at making use of the chord tones.<\/p>\n\n\n<div class=\"gb-container gb-container-e0b5575e\">\n\n<span class=\"gb-button gb-button-04c9eead gb-button-text\">Part 1<\/span>\n\n\n\n<a class=\"gb-button gb-button-b8425930 gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-2-chord-tones\/\">Part 2<\/a>\n\n\n\n<a class=\"gb-button gb-button-7808bfe7 gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-3-minor-blues\/\">Part 3<\/a>\n\n\n\n<a class=\"gb-button gb-button-dc41d8ee gb-button-text\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-part-4-major-blues\/\">Part 4<\/a>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>My guitar solos suck! What scales should I use? It\u2019s a question we hear often among amateur and even some advanced intermediate guitarists. The title sentence reads like a statement followed by a question &#8211; in actual fact it\u2019s more like a question followed by the answer. Let\u2019s rewrite it: Q: Why do my guitar &#8230; <a title=\"Guitar Soloing &#8211; The Problem With Scales and How to Use Them\" class=\"read-more\" href=\"https:\/\/www.guitar-chords.org.uk\/blog\/guitar-soloing-the-problem-with-scales-and-how-to-use-them\/\" aria-label=\"Read more about Guitar Soloing &#8211; The Problem With Scales and How to Use Them\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-2994","post","type-post","status-publish","format-standard","hentry","category-lessons"],"_links":{"self":[{"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/posts\/2994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/comments?post=2994"}],"version-history":[{"count":24,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/posts\/2994\/revisions"}],"predecessor-version":[{"id":3318,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/posts\/2994\/revisions\/3318"}],"wp:attachment":[{"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/media?parent=2994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/categories?post=2994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.guitar-chords.org.uk\/blog\/wp-json\/wp\/v2\/tags?post=2994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}